Monday, May 23, 2011
A Comedic Relief
Lolita in the movie seems to be played by an older woman than a young twelve year old girl. Personally, I think that the movie is directed in a less serious offense than how the book treats the situation of Humbert Humbert and Lolita. For those who take the plot in a serious way because an older man falls in love with a young girl, the movie acts as a comedic relief to soothe the disturbing feeling from the story.
The background music of the movie is a happy and upbeat song that plays even throughout the worst situations, like Mrs. Haze's death. The way that Humbert Humbert and Lolita acts are hilarious and not taken seriously by the audience. With those two factors, how can the audience take the movie seriously? There are many jokes in the book that are incorporated in the movie which makes it a comedy. This questions my outlook on the novel now.. was it written on a serious or comedic note?
Sunday, May 22, 2011
Fake love
While I am reading Lolita by Vladimir Nabokov, I realized that this book contains the fake love of people. Some characters in Lolita, such as Humbert Humbert, Dolores Haze, Charlotte Haze and even Jean Farlow show fake love in the story. Humbert Humbert does not love Lolita. He obsesses with her, not love her. Also when he married to Valeria and Dolores Haze, he did not love both of them at all. He married to Valeria to cure himself of his addiction to nymphets, and he married to Charlotte Haze to stay with Lolita. Humbert’s only lover Dolores Haze shows fake love as well. Even though Dolores once loved Humbert, as the novel ends, she becomes a faker. She needs Humbert, not because she loves him, but because she has no one besides him. Charlotte Haze loves Humbert, but in the book, it seems as obsession like Humbert’s obsession toward Lolita. Lastly, Jean Farlow kissed Humbert after the death of Charlotte. She confessed secret love toward Humbert, even though she already married.
Even though Vanity Fair stated that the Lolita is the only convincing love story of our century , throughout the book, it clearly shows the fake love of people. So I doubt that this is the only convincing love story of our century.
Money
Friday, May 20, 2011
The English Language vs. French
In Lolita, Vladimir Nabokov proves he is a brilliant writer through his playfulness with language. Fluent in English, Russian and French, Nabokov decided to write Lolita in English with some words in French. He chose to write the majority of his novel in English, because he felt the English language had more vocabulary and opportunity to use double entendres. Humbert Humbert tells the reader, “I gave her to hold in her awkward fist the scepter of my passion” (Nabokov 15). Nabokov is referring to Lolita and Humbert Humbert’s sexual interactions with each other. However, Nabokov’s ability to subtract the vulgarity of the action proves his skill with words. Readers may even fail to notice the meaning behind many of Humbert Humbert’s double entendres.
Because French is a romance language, I believe Nabokov chose to write some words in French, because words in French sound more seductive than words in English when read aloud. For instance, Nabokov writes, “Annabel did not come out well, caught as she was in the act of bending over her chocolat glacĂ©” (Nabokov 13). In English, chocolat glacĂ© means chocolate cake. Though the meaning of the words stays the same, these words sound more attractive when spoken in French. I think Nabokov intentionally added French words into his work to create a seductive tone throughout Lolita.
Wednesday, May 18, 2011
Excuses, Excuses
Humbert Humbert's first excuse is evident with his creation of the word, "nymphet." Nymphet, a fictional word, describes a young girl, who possess sexual appeal and knowledge beyond her years. By identifying Lolita as a nymphet, Humbert Humbert defends his actions. He states, "Frigid gentleman of the jury! ... I am going to tell you something very strange: it was she who seduced me" (Nabokov 132). He claims that Lolita made the first move because she is a nymphet. However, the jury must remember that nymphet is a fictional word, created for Humbert Humbert's excuse.
Furthermore, Humbert Humbert defends his obsession with Lolita. He claims that he loves her. However, I believe that he is using this argruement to excuse his actions. If Humbert Humbert "loves" Lolita, than it is it excusable for him to try to control her. However, I believe that Humbert Humbert controls Lolita because he needs her sexually. In addition, Humbert Humbert uses the excuse that he "loves" Lolita to justify his murder of Clare Quilty. The reader is led to believe that he kills Quilty because of his love for Lolita. However, I believe that Humbert Humbert kills Quilty because of his excessive pride. Similar to Valeria's lover, Humbert Humbert cannot bear the thought that Lolita would leave him for someone else. Therefore, Clare Quilty must die.
As a member of the jury, do you believe that Humbert Humbert is telling the truth? Or do you believe that his "love" for Lolita is an excuse for his pedophilic actions?
Love or Lust
Lolita would be considered as an immature teenager. She fell for Humbert Humbert’s superficial love and care. However, her actions prove that she is a child prostitute. The second part of the novel adds more negative image of Lolita. Her betrayal on Humbert Humbert was a tragic moment for Humbert Humbert, and Lolita was masked with an image of a heartless woman. The lust was the only part that satisfied Lolita and Humbert Humbert’s relationship. Because of their immature and perverted nature, their relationship would not be considered as love but lust.
Tuesday, May 17, 2011
Violence: Uncontrollable or Unbelievable?
Throughout Lolita, readers experience the violent thoughts occurring in Humbert Humbert’s mind. Vladimir Nabokov’s descriptive language makes certain events believable to a reader at first that they may later reconsider. For example, when Humbert and Charlotte are spending the day at Hourglass Lake, Humbert is determined to drown Charlotte. He says, “The fatal gesture passes like the tail of a falling star across the blackness of the contemplated crime” (Nabokov 86). Humbert is descriptively explaining that his opportunity is right in front of him. He is clearly aware that his chance is slipping away, yet he continues to waste his time planning, in his mind, the exact order of the events to follow in which he will achieve the perfect murder. Similarly, earlier in the book, Humbert is informed of his wife’s affair and plots to kill her, as well. Fortunately for Humbert and excuse allows him to escape the possibility of acting on his threats—Valeria’s lover does not leave them alone. It is this characteristic that makes Humbert’s perspective so unbelievable to readers. Although Humbert is intimidating in his mind, readers can come to realize that he is not the type of person to act on his violent thoughts.